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A geometric, squared sans-serif typeface from Nebiolo S. A. foundry. Eurostile was designed (by Novarese and Butti in 1952) to complement the Microgramma title font, by providing a set of lowercase letters. Eurostile's linear nature evokes modern architecture, and its appeal is both technical and functional.

Designed for the Stephenson Blake type foundry. A very heavy, narrow, sans serif face intended for use in newspapers, for headlines and in advertisements. Aptly named, this face has a very large "x" height with short ascenders and descenders.

Oswald Bruce Cooper designed Cooper Black, an extra bold roman face, based on the forms of his earlier typeface Cooper Old Style, which appeared with Barnhart Brothers & Spindler Type Founders in Chicago. Copper Black was produced by Barnhart in 1922 and acquired in 1924 by the Schriftguß AG in Dresden, where it was later completed with a matching

1950. A work of Hermann Zapf, and is probably the most universally admired and used of his type designs. Palatino is a typeface based on classical Italian Renaissance forms. It has become a modern classic in itself, and is popular among professional graphic designers and amateurs alike. Palatino works well for both text and display typography.

Designed by the famous French type designer Roger Excoffon. In 1960 he first designed the Nord and Nord Italic. Which perfectly fits for advertising, signage and poster purposes. The Bold and Compact weights had been designed in 1963.